The Evolving Educator

If emotions are at the core of learning, why do music educators and ensemble directors consistently ignore the student’s emotions? Nearsightedness and for their own emotions and egos.  Or perhaps we should be thinking about future emotions.
It is easier to look a month or two down the road. It is easier to view own your road rather than putting yourself in the students place ten years from now. And of course it feels good to win. Bringing home the gold ‘proves’ that you’re a great teacher. Or does it?
Is it really about how ‘good’ your ensemble is? Is it about how many gold medals you win? How many competitions you attend? Those are events to experience and targets to shoot for but not the end goal. It’s about the students and their experience. It’s about them having a positive experience. It’s about them walking away with positive emotions.
Think about the kid in the back of the section. He’s a mediocre player. Not always in tune and sometimes comes in at the wrong time. Do you cut him or put soap on his bow so he can’t make a sound? Of course not. But down the road, what is really going to matter? Not the fact that the group received a lower rating because of him. No, what will matter is that he participated. When he looks back, the fact that he was in the group will make the difference and in turn affect  how he interacts with people, groups, and situations.
What do you remember about your school music experience? I don’t remember what score I received at contests but I can tell you how teachers treated me and what kind of experience I had.
I remember my baseball coach not putting me in the game because…well because I sucked at baseball! It was a freshman league and all he cared about was winning. Does it really matter? How do you think I feel about that experience and how does that affect me now? Will your students want to attend a musical event as an adult or will it cause negative emotions to reverberate with them?