NEW Rhythm Rulers & Banner


The Rhythm Ruler is a tool to teach students about rhythms. It displays inches with sixteenth, eighth, quarter, half, and whole notes. The back has a breakdown of eighth, quarter, and half note triplets.

 

Teaching rhythms can be a difficult task but by relating note values to measurements – which most students are familiar with – the task is much easier. Students readily relate the two and easily understand note divisions with the Rhythm Ruler.

The Rhythm Ruler is perfect for band, orchestra, chorus and classroom music students. Teaching note values in general music and classroom music classes to students without previous music experience is much easier with the Rhythm Ruler.

The Rhythm Ruler is made from heavy matte cardstock. It is available in packs of 50 rulers for $75 per pack. That price includes shipping. School purchase orders, credit cards or PayPal are accepted. (Contact me for large order discounts.)

 

***NEW***

 2′x4′ Vinyl Banners of the Rhythm Ruler  Perfect for your classroom!!!
$120 shipped
These are nice banners with metal grommets for hanging.
Of course, school purchase orders are welcome. 


Contact me TAMBRONI at GMAIL dot COM for bulk orders and purchase orders.
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“Blood Money” by Jungle of Cities

Check out my band - Jungle of Cities – latest single, Blood Money.

Listen to Blood Money
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Bowing Article

Check out this article in Strings where I’m one of the quoted sources!!!! :)

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New Carvin Icon5W Electric Bass

Pictures of my new Carvin bass guitar:

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Diotima String Quartet

The latest CD release from the Diotima String Quartet, American Music, is simply amazing. Clean, clear, articulate, and musical.

It is refreshing to hear a European interpretation of twentieth century American classics.

Their recording of Different Trains for String Quartet and Tape by Steve Reich reaffirms him as a genius of minimalism.

Their goose-bump inducing Molto Adagio by Samuel Barber clocks in at an exquisite 8:34  (for you people that like to keep track of different versions).

New recordings of Black Angels don’t come along very often and this one is brilliant. I really like how they split up the tracks into the smaller segments rather than just I, II, III.

American Music is available via iTunes for only $10.99 USD.

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Lesson Options

I currently have openings in my private studio for lessons. I accept students of all ages and have experience teaching beginner through advanced adults. What a great way to model music for your children! Or perhaps you would like to get your entire family involved with playing a stringed instrument! No problem. Although I am a bassist I have been a public school music teacher since 1996 teaching violin, viola, cello, and bass at many different levels. And starting a string group with your family is a great idea! Please contact me for more information.

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Marvin Tailpiece Sale

Please note the announcement below. In support of Alicia Marvin’s efforts to support affordable housing, all profits from tailpiece sales until May 16 will be donated to Bike and Build. In addition, tailpiece prices will be reduced by $10 each during this time.

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Support Affordable housing in the US.

All profits from tailpiece sales untill May 16th will be donated to the non-profit organization: Bike and Build

Alicia Marvin, a recent graduate from UMASS- Amherst is fundraising to support this non-profit organization and will be taking part in a cross country bicycle ride to promote the cause of affordable housing.

For more information on Bike and Build select this link.

For more information on Alicia Marvin select this link.

Special until May 16th, 2012

Tailpieces will be priced:

Standard: $69.95

Custom: $89.95

($20 reduction from list price)

 

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Simandl Position System

Many bassists are often confused with Franz Simandl’s method of numbering the positions. I think of it as G minor scale on the G string. Another way is to put your first finger on all natural notes on the A strings – which works out to be an A minor scale.

But…Why? Why would Simandl choose such arbitrary positions and note something more systematic such as a chromatic system (where every half step – or fret on an electric) is a position. My theory – and I must emphasize this is my personal hypothesis – is that since Simandl was living and teaching in Vienna he probably tuned his bass different than we do now. Perhaps he was using a Viennese tuning based on a D major chord. That could put his lowest and / or highest strings at an A. Now if your outer string or strings is an A, what easier way to think of positions than just natural notes? By putting you first finger where the naturals are you immediately arrive at his system.

VOILA! (not to be confused with viola)

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Lesson Openings

I currently have openings in my private studio for both electric and double bass lessons. Click here for more information. You can view my resume here.

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Electric Basses

I’ve been on an electric bass kick lately as my band, Jungle of Cities, has been doing a lot around Chicago.

So, when it came time to upgrade my Ibanez Soundgear SR505, my research led me to Dingwall basses and Carvin basses. I went with the Carvin due to more custom options at a great price but both are awesome and reasonably priced bass guitars.

 

 

 

 

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The Band

Jungle of Cities

JOCDDmarqee

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Pirastro Flat Chromesteels

These are some of my favorite strings and I decided to replace my year old D’Addario Zyex strings with these. Although not as warm or thick as Obligatos or Zyex they do have plenty of things I like – especially for solo playing which I’m doing much more of. They speak very easily and are easy to press down with the left hand. They project and have lots of resonance. They also have a great pizz sound – great for solos although probably not great for a big band or an orchestra.

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Musings on Beethoven 5, III

I’ve been working in Beethoven 5 for years – probably as most of us have. And for most of those years I did the same bowing – which was whatever I had marked in from previous teachers. But there was a problem. The excerpt remained outside of my sphere of comfort. I just couldn’t make it work.

I thought, why? What is preventing me from achieving the perfect flow and ‘the’ sound. I decided to try an approach that may sound radical and be heresy for most students – I CHANGED THINGS and did the opposite of what all my teachers had marked in. Up bow? Nope, now it’s down. Slurred? Not anymore. Short to long, long to short. I questioned and changed everything. And suddenly things started to click. The pickup note sounded like a nicely placed 3rd beat pickup note. String crossings and slurs became ironed out and smooth.

I analyzed the string crossings and the bowings. If you are crossing a string on a slur there is a chance that the second note may not speak well. And if your bow is crossing the string there is a slight disconnect regardless of how smooth your bowing is – it’s just two different strings! So I decided to change bows on some string crossings.

WHOAH! I was on to something. I thought about my violin students who are in jazz band and came to me with music that had 4 bars slurred. It’s not a slur, it’s a phrase marking. AHH!!! Much easier.

I added bow changes but added them at string crossings to mask them.I also wanted a bowing that helped not only play the rhythm but portray the rhythm. Make it obvious to  the listener, or -ahem- the audition committee. So I tried many options and wanted to share them

I consider these ‘audition’ bowings – meaning use whatever works for you to play it well. But you should be prepared to play in any way within a particular bass section.

In the end I found it’s about changing / freshening / trying something new / pushing limits / thinking outside the box. I’d been playing the same bowing for years – with the same stagnant results. By trying changing the bowing I felt a renewed interest in the excerpt and a new insight into the rhythm.

Click here to download the complete PDF file.

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iPhone’s marimba stops New York Philharmonic performance

iPhone’s marimba stops New York Philharmonic performance

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It’s Here!!!

The Sixth Edition of “An Introduction to Double Bass Playing” is now available. Almost every page has been updated. More pictures of fingerings and many, many typo fixes. I’m very proud of this work.

Support independent publishing: Buy this book on Lulu.

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Math & Music

Rhythm is the elementary level of mathematics in music.
The true examples lie in other areas such tuning and construction.

The latest edition of The Strad has a great article on the mathematics involved in just making the scroll. Click the picture to download a PDF of the article.

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Tendon Surgery Update

12/24/11 – On September 2, I had tendon surgery on my right arm to alleviate tendinitis.
The surgeon sliced the tendon, cut out scar tissue, and shaved a little bit of bone where the tendon attaches. Although the surgeon said I had ‘no restrictions’ immediately after surgery it was several weeks before I could play comfortably.

Physical therapy started immediate 5 days later. With any sort of tendon surgery it is recommended to start doing some sort of use right away so it remains flexible.

I was initially prescribed 6 weeks of physical therapy. The first 4 weeks felt more like real rehabilitation than just light physical therapy. After that it was just doing low weight / high repetition exercises which strengthens tendons. I started a second 6 week session but after a week I had my doubts on the efficacy of a second 6 week session. So I requested a routine that I could do on my own at my gym. And again, with tendon surgery it is high reps / low weights (around 6 sets of 30 repetitions) that strengthens tendons. So I empoyed unilateral training where I would use a heavier weight on the non-surgery side. Not only does this keep my lifting routine moving forward but also has a carryover effect to the other side keeping muscle atrophy to a minimu.

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D’Addario Zyex Update

After a year with my D’Addario Zyex strings I am still very happy with them. Both pizzicato and arco sound great. They speak well and the upper register sounds great.

My only negative, albeit small, is the extended E (C) string could respond a little better. In all fairness I was sent a pre-production prototype string. I will probably experiment with adding a Flat Chrome-Steel long E.

I have tried many strings in my 20+ years of playing. My favorite strings are Pirastro Obligato and now these new Zyex. These are two strings that offer both a great orchestra arco sound, a full pizziato sound, and easy to play. The Obligatos are a little easier to play on but if you are looking for a slighter higher tension string without the infamous Obligato “string roll” then I highly recommend the Zyex.

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Alternate Tuning

I play some music where I tune the G string up to an A. I have been tuning an orchestra G string up to an A. What do you think?

How would you tune the G string?

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Web Sites and Links

I’m currently working on the next edition of “An Introduction to Double Bass Playing”. I only include a few web links in the book. Are there any you think should be there?

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