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My book, “An Introduction to Double Bass Playing”, is now available from the iTunes bookstore!

Richard Armandi, Chicago area bassist and teacher says this:

“An Introduction to Double Bass Playing” by Peter Tambroni is a wealth of information and just about covers all the ‘basses’ that a young or new player to the instrument would need to address. It’s thoughtfully put together, addressing all manner of technical issues, maintenance and care, choosing the right strings, bow, etc., and even has sections covering topics of vital use to teachers and parents. There are also internet sites suggested for all things Bass related. This book is the most complete resource of it’s kind for the aspiring Double Bassist, has become required material for my students, and I heartily recommend it!!! Thank You, Peter, for such a superb asset to the Double Bass canon!!”

Four string set of Fender Flatwounds plus a LaBella low B string. Lots of life in them. $15 picked up or $20 shipped.

How is your experience with Lemur Music? What alternative vendors do you like?

I find their shipping SLOW and expensive but they do have lots of sheet music. For strings and many other accessories, I like Bob’s House of Basses.

Just replaced my Fender Flatwounds with a set of D’Addario half wounds on my electric bass. So far I really like them but the B string seems a little dead.

***UPDATE 06/04/11 – I LOVE these strings – except for the low B. Buy the 4 string set and get a roundwound B.

How do you pronounce Bach? Debussy? Schoenberg or Lutoslawski?

Unless you met the composer, it is probably slightly different than I or someone else says it.

We americans tend to be very pretentious about our pronunciations. I’m all for accuracy and being correct but if you’re more worried about the aspirated ‘ch’ in Bach than in practicing his music, there’s a problem!

I have played with people from other countries and they generally say the composer’s name in their accent. In one ensemble in graduate school, I was the only American. Names were pronounced differently but if everyone understood, it was fine and we moved on. So why can’t we say names with our accent? It just happens to be an American English accent rather then French or Italian. And did you ever introduce yourself to someone from another country? You say your name and they say it with some linguistic rules from their language, but it’s not a problem.

A few years ago I had a student from Poland. I asked her how to pronounce Chopin and it wasn’t even like our pretentious way of saying it. So, in this case, the correct Polish pronunciation was different than how us Americans are trying to pronounce it. So who is ‘right’?

Now, what should we do?

• Try to be somewhat faithful to the original language. For example, no one pronounces the ‘J’ in ‘Janacek’ like ‘jello’ – it has the ‘Y’ sound. But then again, we probably don’t get the vowel and accents correct – but the effort is there without overdoing it.
• Listen to the classical music station as they tend to me very well informed people and see how they pronounce it.
• Right or wrong, don’t dwell on it. Say the name and move on – unless there’s a compelling reason not to. For example, I was once corrected on the pronunciation of Poulenc. I asked how he knows and my teacher responded with, “Well, when he introduced himself to me.” Touche. He wins.
• Focus more on your playing and musical skills. They speak volumes.
• Listen to the people around you and go with the general consensus – even if it is incorrect (like Chopin!). It will make life easier and you can concentrate on your playing.

Thanks, and as Gyorgy Ligeti didn’t once say, “Go Practice!”.

From American String Teacher