Composer Pronunciations

How do you pronounce Bach? Debussy? Schoenberg or Lutoslawski?

Unless you met the composer, it is probably slightly different than I or someone else says it.

We americans tend to be very pretentious about our pronunciations. I’m all for accuracy and being correct but if you’re more worried about the aspirated ‘ch’ in Bach than in practicing his music, there’s a problem!

I have played with people from other countries and they generally say the composer’s name in their accent. In one ensemble in graduate school, I was the only American. Names were pronounced differently but if everyone understood, it was fine and we moved on. So why can’t we say names with our accent? It just happens to be an American English accent rather then French or Italian. And did you ever introduce yourself to someone from another country? You say your name and they say it with some linguistic rules from their language, but it’s not a problem.

A few years ago I had a student from Poland. I asked her how to pronounce Chopin and it wasn’t even like our pretentious way of saying it. So, in this case, the correct Polish pronunciation was different than how us Americans are trying to pronounce it. So who is ‘right’?

Now, what should we do?

  • Try to be somewhat faithful to the original language. For example, no one pronounces the ‘J’ in ‘Janacek’ like ‘jello’ – it has the ‘Y’ sound. But then again, we probably don’t get the vowel and accents correct – but the effort is there without overdoing it.
  • Listen to the classical music station as they tend to me very well informed people and see how they pronounce it.
  • Right or wrong, don’t dwell on it. Say the name and move on – unless there’s a compelling reason not to. For example, I was once corrected on the pronunciation of Poulenc. I asked how he knows and my teacher responded with, “Well, when he introduced himself to me.” Touche. He wins.
  • Focus more on your playing and musical skills. They speak volumes.
  • Listen to the people around you and go with the general consensus – even if it is incorrect (like Chopin!). It will make life easier and you can concentrate on your playing.

Thanks, and as Gyorgy Ligeti didn’t once say, “Go Practice!”.

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Great YouTube Video About Classical Music

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“The most difficult part of practicing can be opening your case!”

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SOAP! Needs YOU!

The Symphony Orchestra Academy of the Pacific that will take place June 21- July 1, 2011 in the picturesque seaside city of Powell River, British Columbia ~ a Cultural Capital of Canada.

The ensemble NEEDS BASSISTS!!!

The instructor is:
Mark Morton
______________________________________________________________________________

A UNIQUE OPPORTUNITY

· to improve your audition skills to enable you to acquire a position in a professional orchestra or realize a career in music performance
· perform in the outstanding Symphony Orchestra of the Pacific under the baton of Arthur Arnold (The Netherlands)
· to study with renowned players from some of the world’s finest orchestras.

To download the SOAP brochure …click here

THE FACULTY

For a list of faculty and complete information on SOAP …click here. You will be impressed with the faculty, the programming, and this unique musical opportunity in a beautiful seaside setting!

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About Wolf Tones

Many people have misconceptions of or don’t understand what a wolf tone is. I found a student cello that provides an extreme example.

Wikipedia’s definition – “A wolf tone, or simply a “wolf”, is produced when a played note matches the natural resonating frequency of the body of a musical instrument, producing a sustaining sympathetic artificial overtone that amplifies and expands the frequencies of the original note, frequently accompanied by an oscillating beating (due to the uneven frequencies between the natural note and artificial overtone) which may be likened to the howling of the animal. A similar phenomenon is the wolf interval, usually between E flat and G sharp, of the various non-circulating temperaments.”

Here is a video of an open G without a wolf and a fingered A with the wolf.

 

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Articulations in Bach

 

 

 

 

 

 

 

 

 

 

 

 

 

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Qualities of a Section Leader

From American String Teacher

 

 

 

 

 

 


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Unbelievable News…

Philadelphia Orchestra board OKs Chapter 11 filing

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Smithsonian Article on Pernambuco & Bows

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Good Ideas…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Syracuse Symphony Orchestra Decides to Dissolve

Syracuse, NY — The Syracuse Symphony Orchestra Board of Trustees met Tuesday and voted to dissolve the corporation, sell its remaining assets and enter Chapter 7 bankruptcy proceedings. “In plain terms, the SSO as we now know it will cease to exist,” the board said in a press release.

The board noted that it made the decision because it cannot support a full 77-person orchestra to perform 200 times over a 34- or 40-week season.

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Why People Play the Bass

Here is a PDF book compiled by Martin Simpson of the South African Bass Collective of why people play the bass. Lots of players from all over the world have submitted their response. Definitely check it out. DOWNLOAD IT HERE.

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Variations on a Theme!

Grupa_MoCarta_w_Operze_-_Eine__Kleine_Welt_Musik

 

 

 

 

 

 

 

 

 

 

 

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What’s Your Tempo for Russlan and Ludmilla?

Marked Tempo – Presto, 135

Barenboim & Berlin – c. 170!!!!!!

Kunzel & Cincinnati Pops – c. 150

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Symphony Orchestra Academy of the Pacific

There are limited number of openings in all sections (except harp), of the SOAP orchestra. Scholarships are available.

If you have students interested in this program please have them complete the on-line application form …click here

 

The Academy accepts a balanced orchestra of 70 players to perform with the Symphony Orchestra of the Pacific conducted by Arthur Arnold (The Netherlands). Players receive master classes, lessons, mock audition training, seminars, as well as, perform 2 orchestral programs during the 2 week intensive session.

SOAP offers a unique program that prepares advanced students and young professionals for a career in music and in obtaining a position in a professional orchestra.

SOAP will take place June 21- July 1, 2011 in the picturesque seaside city of Powell River, British Columbia ~ a Cultural Capital of Canada.

We would be pleased if you would forward this information to your students and colleagues.

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Ovidiu Badila Tracks

OK readers, here’s a question for you after iTunes and Google couldn’t help. I found an audio file (one long track) of Ovidiu Badila but I only know a few of the tracks. It starts with Handel’s Judas Maccabaeus and ends with the Hindemith Sonata. Anyone have a track listing of that recording?

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QuickTip for Bow Hands

I’ve found that students who have difficulty curving their fingers are really having issues with their fingers slipping or sliding. To alleviate this I put a piece of the plastic hook side of sticky-back velcro on their and it works great. I even liked it so much I put a piece on my bow.

 

 

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Reader Poll – ISB Membership

Are you a member of the International Society of Bassists (ISB)?

View Results

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Kids’ musical instruments booming with bacteria

From the Chicago Tribune.

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Congrats to My Chamber Orchestra!!

This weekend my Chamber Orchestra received a Division I rating at the annual Illinois Grade School Music Association contest festival. And the for the first time ever, we received a I rating from every judge!!!!

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